Lansy Feng
 

Lansy Feng is a Taiwanese–Australian actor, singer, writer, theatre-maker and award-winning filmmaker based in Melbourne. She is a Green Room Award nominee for Outstanding Artist in a Leading Role (Independent/Fringe Musical Theatre). Lansy trained at the National Theatre Drama School and completed the full-time program at Howard Fine Acting Studio.

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In 2018, Lansy created and performed the highly reviewed one-woman cabaret How I Met My Dead Husband at The Butterfly Club and Gasworks Arts Park as part of Melbourne Fringe Festival. The work was later redeveloped with Wit Incorporated in 2019 for Maribyrnong and Brimbank audiences, touring to Bluestone Church Arts Space and The Bowery Theatre to both community and critical acclaim. The piece tells the reincarnating love story of Chuen Jiao and her soulmate Yueh across four lifetimes. Performed in English, Mandarin and French, it features original songs alongside a range of musical interpretations.

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Alongside her original work, Lansy has performed across theatre, film and musical theatre. Her 2018 credits include On My Way (Western Arts Theatre), Fanciful Imaginings (Musicworx), Ophelia Thinks Harder (Wit Incorporated), and the short film Origin. She has also appeared in commercial and screen projects with Two Door Pictures, Talk EZ and Flying Art Films. In 2019, she co-produced and performed in Westerly at The Butterfly Club, and took on lead roles in the short film The Purpose and an Altura Learning educational film. In 2020, she performed in Under a Rock as part of Melbourne Writers Theatre’s City Parks Play season. Earlier in her career, Lansy also performed as a percussionist across Taiwan with Phonon Music.

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In 2020, Lansy co-created Bits of Wit, a web series of original works, alongside several independent screen projects. Her short film Of Course I Speak French received the Judge’s Choice Award at the Cinespace Inc. 123 Short Film Competition, was officially selected for the San Diego International Mobile Film Festival, and was recognised as a finalist and semi-finalist across multiple international film festivals. That same year, she became Artistic Director of Wit Incorporated.

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Recent performance highlights include Every Second (Wit Incorporated, 2021) and Amplify: Unsung for International Women’s Day, presented by Maribyrnong City Council. In 2022, she toured her original play Dear Mama, There’s Something Maybe I Should Tell You across three Melbourne venues, concluding at The Bowery Theatre to strong audience response. She also appeared in the VCA Master of Theatre production Bull and played the lead in the SAE short film String Theory.

In 2023, Lansy appeared in the web series Til You Make It, and the short films The Usual Please and Half Sisters. Her theatre credits that year include #BacchaeToo (Peridot Theatre Inc.) and Bleached and I Me She Him 你和我和她和她 with Wit Incorporated.

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In 2024, she performed in Farewell Lady Autumn with WHAM Theatre, a work inspired by a Chinese historical heroine, and in the highly acclaimed Mandarin musical Hidden Tunes 弦外之音 produced by Small Ripple Theatre. She also led Wit Incorporated’s 10-year anniversary with a celebratory cabaret event.

In 2025, Lansy performed in Revolt. She Said. Revolt Again. by Alice Birch, which received a four-star review from The Age.

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Lansy’s artistic practice is driven by a commitment to bringing culturally specific, heritage-driven stories to the Australian stage.